1904年，年轻女裁缝弗里达·凯勒因一桩备受瞩目的法律案件成为公众焦点，该案暴露出了父权社会根深蒂固的不公。她的案件迫使男性检察官直面个人与职业的伦理困境，彻底颠覆了他们对道德和性别平等的固有认知。随着庭审推进，公众抗议与媒体声浪不断，揭露司法体系对女性的歧视性对待。弗里达的抗争不仅关乎个人，也成为了先驱符号，如同一面明镜，映射出社会的伪善与不公。

A 35-year-old former fighter and violinist devises a plan to blow up a movie theater, a gathering place for British NICA officials and the Dutch.

Based on Alain Gandy’s book Les Chiens Jaunes, the story takes us back to March 1945. The Japanese army launch a sudden, brutally violent assault on the French garrisons in the Far East. Thousands of civilians and soldiers are killed. Stalked by the Japanese enemy, a column of legionnaires who are already weakened by alcohol and disease decide to traverse the jungle in an attempt to reach China and allied bases.

本作由井上刚担任导演，与NHK四月播出的剧集《地震之后》共享故事框架，同时新增场景重新剪辑而成。该片基于村上春树短篇小说集《神的孩子全跳舞》中四则短篇，讲述关于丧失与重生的故事。描绘1995年阪神淡路大地震后，四个在不同时代与地域背负孤独生存之人的命运交织，最终与当下产生联结的历程。

几个年轻时怀揣街舞梦想的青年，多年后经历了人去人走、世故变迁，怀着对朋友的怀念，怀着对未来的憧憬，又重拾了自己年轻时的梦想，用舞蹈诠释了人生态度……

该片主要讲述父亲胡溢为了让儿子胡浩然摆脱手机的束缚，用尽了各种极端手段。然而，在一次看似绝望的回乡之旅中，父子二人却意外找到了“放下手机”的奥秘。

A stark and intimate portrait of a woman against all odds, marginalised by society and trying to find a way to survive in a world where motherhood, misogyny, crime, and independence meet. Faced with societal scorn and her own moral conflict, she navigates a perilous path, determined to shield her child from chaos. In her struggle for survival, bonds of love and loyalty are tested. “I hope viewers leave feeling like it’s a strong story about a woman who is down on her luck and finds her way in a man’s world, doing things her way… and not his”.

一对白人中产夫妇想要秉持“环保”理念，准备找人回收自家坏掉的电视机。正巧一对有色父子主动要做这单生意，且任何物品都愿意收。这正中夫妇两人下怀，她们的大房子里还有好多“破烂”需要处理，索性带上了两父子一起回家，全部给到他们。 到目前为止，还是愉快和谐的局面。尽管存在某种阶级俯视，但至少各取所需，符合各自利益，没有太多的勾心斗角。但随着两父子进入夫妇的豪宅中，以及目之所及的各种艺术品，情况开始变得微妙起来......